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The viewpoint of global and cultural perspective has to be applied to Pre-Columbian art, as this will enable us to recognize the Americas as a part of world history rather than simply places that went through European contact. Among others, the Maya, Aztecs, Incas, and Olmecs were pre-Columbian cultures, which made the most intricate artworks that revealed profound understanding, social structure, and religious convictions long before colonization, in fact, even thousands of years earlier.
The perspective may allow one to place pre-Columbian artworks among human achievements. The architectural forms, sculptural styles, and symbolic imagery, which are comparable to those in ancient Egypt, Mesopotamia, or China, and which are being emphasized by recent scholarship as essential in reevaluating the geographic dimensions of art history (McEwan et al., 2021), reflect the innovative levels in the ancient Americas. The global exhibition of such masterpieces is a challenge to the stories that are often told from a Eurocentric perspective. These stories have consistently put Eastern cultures in the background and termed their art as primitive. But now the whole world has reached an agreement that pre-Columbian art is of the very high intellectual and aesthetic standards, and thus, the art history of the world is made more equitable.
In terms of the cultural aspect, pre-Columbian arts were different and connected to life, religion, and political power through one of the primary channels. Ornaments were not merely for ornamentation; they were involved in the rituals, ceremonies, and various aspects of social life. The recent discussions in the art-historical community indicate the need to change, and even dismantle, existing disciplinary boundaries where colonial interpretations are often the first to be heard. No other voices are represented if one intends to get to these cultural meanings. When viewed through the prism of the cultures in which the art was created, we would easily notice that art served the purposes of interpersonal communication, of the need to establish oneself, and the need to prove that the cultures in question did not vanish, but instead, were continuing their course.
Ultimately, the global and cultural approach to the pre-Columbian art both recognizes the Native American history and proves that this tradition continues to shape modern society. The outcome is a less confrontational interpretation of the historical and current art, particularly in the Americas, as the residence of the manifold diversity of the global cultural discourse and a segment of the multiplicity of human creativity.
Requirements: Art History
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