Creative Script Proposal: 1-page pitch outlining your short film concept (genre, themes, and connection to course material) I want this to be kinda like a suspense, horror film you never seen coming, make it sound, urban setting in a college town in Washington DC historical black college HBCU A struggling HBCU student working as a tutor to survive supports an unemployed, unfaithful boyfriend in a collapsing apartment until she calmly erases him and prepares to start over under another name. Pitch: Caught With a Different Name is a psychological horror short about exhaustion, reinvention, and the violence hidden inside politeness. The protagonist is a college student attending an HBCU, working long tutoring hours to afford rent while carrying the emotional and financial weight of her household. She spends her days helping others build futures and her nights cleaning up the decay left behind by a boyfriend who refuses to grow. The apartment records their imbalance: mildew trapped in laundry, dishes stacked like sediment, trash swelling by the door. Video game light flickers while she studies. His laughter bleeds into her silence. He fills the space with neglect and quiet evidence of infidelity, yet still expects comfort, affection, and intimacy. She answers with calm efficiency. The more chaotic he becomes, the more controlled she appears. The film unfolds as a ritual of observation. She organizes, cleans, and documents her environment with academic precision. The audience slowly understands she is not coping she is preparing. This is not the first time she has restored order this way. Each relationship ends the same: she removes the mess, erases the history, and disappears into a new life under a new identity. Love, for her, is temporary. Control is permanent. The horror lies in her certainty. There is no outburst, no confrontation. Only housekeeping. Only quiet inevitability. The apartment returns to silence. Clean. Anonymous. Waiting for the next name. The film explores themes of gendered labor, invisibility, repetition, reinvention, and the psychological cost of being consumed by others. It asks how many lives a person can live before identity becomes a costume and whether survival itself can become a form of violence. Stylistically, the film relies on subtext, restraint, and visual storytelling. Dialogue is polite and minimal. Meaning is carried through objects, rhythm, and ritual. Violence is implied rather than shown; dread builds from pattern recognition rather than spectacle. The audience understands the cycle long before it completes and watches anyway.
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